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Het spelen bij een legaal casino biedt tal van voordelen die bijdragen aan een veilige en plezierige speelervaring. Een van de belangrijkste voordelen is de garantie van veiligheid en betrouwbaarheid. Legale online casino’s hebben een vergunning van de Nederlandse Kansspelautoriteit, wat betekent dat ze voldoen aan strenge regelgeving en controles ondergaan om de integriteit van hun diensten te waarborgen.
Het spelen bij een legaal casino biedt tal van voordelen die bijdragen aan een veilige en plezierige speelervaring. Een van de belangrijkste voordelen is de garantie van veiligheid en betrouwbaarheid. Legale online casino’s hebben een vergunning van de Nederlandse Kansspelautoriteit, wat betekent dat ze voldoen aan strenge regelgeving en controles ondergaan om de integriteit van hun diensten te waarborgen.
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You’ve brought this up in earlier episodes and you’re not totally off, but I think your theory needs to be tweaked slightly. The key to innovation and richer game play with regard to AD&D is, I think, effective world building, but the latter is (perhaps) best served in MANY regards by a study of historic warfare. Wargaming (at least the non-fantasy kind) does just this…it attempts to model real world operations, logistics, and strategic considerations with game-worthy systems and rules. My most recent foray into AD&D play has been accompanied by heavy doses of reading and research into both western history and ancient warfare (so often, sadly, intertwined) and the results have been spectacular as far as MY level of engagement and energy and endurance for real world building…and this has, quite naturally, spilled over to my players at the table.
An interesting exercise might be to investigate the number of female designers whose names appear on adventure modules over the years. My initial impression is that there were far more in the EARLY days of TSR, then in the later days (when all those 12 year olds were growing up and entering/dominating the industry). Certainly the Hickmans are a prime example of a duo with roots in the 1970s college tradition.
Continuing our series of english language interviews, we are honoured to greet Trent Foster Smith, once maliciously described as the Khmer Rouge of the OSR. We talk about his recent five-star module, Fractious Mayhem at Melonath Falls, his Heroic Legendarium, a most scholarly collection of conversions, errata, house rules and expansions for the 2nd Edition of AD&D that never was. We further discuss the state of the hobby, the Riddle of Basic and its link to the „older/younger sibling“ dynamic. Many thoughts are shared about Gygaxian module writing, what was lost in the 80s and the faults of the Temple of Elemental Evil. Most importantly, though, we talked about the „locked“ grand Gygaxian-1e Module: Necropolis, how he played it with EGG himself and how YOU can experience the same by doing it the Trent/Gygax way. Sadly, we forgot to talk more about Fraggle Rock, but we hope we can remedy this in the future.
We talk about playing vs. writing, online stalkers, the quest for originality, Patrick’s relation to art and the double problems of commercialization & commodification in the DIY scene. Among that: several questions by the hosts (hasran & Settembrini) on Patrick’s previous published work (mostly Silent Titans, DCO and Maze of the Blue Medusa) and of course, the newest project: Broken Fire Regime and how its Para-Cosm relates to the wider Stuartverse.
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